check it out, kathleen hanna is an eternal babe, duh.
"rebel girl," bikini kill (1993)
modern experiments in urban camouflague
modern experiments in urban camouflage: lightstyling@gmail.com
20101130
20101129
styler's crossfire
i'm wondering who is dressing them milky manes these days?
in her new video for "dancehall queen," robyn sports some high-voltage,
high-waisted stud-licks that look seriously similar to rihanna's "rude boy"
catsuit. overall, this seems to be a homage, musically + aesthetically, to
rihanna's booty department.
observe:
robyn, "dancehall queen," (released milliminutes ago)
*pay close attention to robyn's hips at the 0:48 second mark.
rihanna, "rude boy" (released earlier this year)
*the meowsuit in question first appears at the 1:20 mark.
in her new video for "dancehall queen," robyn sports some high-voltage,
high-waisted stud-licks that look seriously similar to rihanna's "rude boy"
catsuit. overall, this seems to be a homage, musically + aesthetically, to
rihanna's booty department.
observe:
robyn, "dancehall queen," (released milliminutes ago)
*pay close attention to robyn's hips at the 0:48 second mark.
rihanna, "rude boy" (released earlier this year)
*the meowsuit in question first appears at the 1:20 mark.
20101128
fashionable appropriation
i've been helping an east coast writer document the music appropriation
genres (swing, lounge, jump blues, rockabilly, roots shoot-offs)
of the 90s. my job entails transcribing the interviews about
songbirds like ingrid lucia:
i'm wondering why appropriation is forgiven in the fashion industry,
but we're less forgiving of our musicians. we ask for an awful lot of
originality from our musicians. there is something inherently theatrical
about fashion in which the visual produces a direct impression, but still
in a referential passivity in which the source doesn't have to take
full responsibility. but there is something about including music,
including the human voice, where posing is a poor-man's scam.
genres (swing, lounge, jump blues, rockabilly, roots shoot-offs)
of the 90s. my job entails transcribing the interviews about
songbirds like ingrid lucia:
i'm wondering why appropriation is forgiven in the fashion industry,
but we're less forgiving of our musicians. we ask for an awful lot of
originality from our musicians. there is something inherently theatrical
about fashion in which the visual produces a direct impression, but still
in a referential passivity in which the source doesn't have to take
full responsibility. but there is something about including music,
including the human voice, where posing is a poor-man's scam.
20101127
pirate queen
i've always been interested in the stark intricacy
of royal couture. with edgy textures in garment
shades, lipsticks, + drapery, hamza shoots smith
like a pirate queen styled by a circus diva.
photo: sharif hamza
model: ashley smith
for vogue russia december issue via jeremy dante
of royal couture. with edgy textures in garment
shades, lipsticks, + drapery, hamza shoots smith
like a pirate queen styled by a circus diva.
photo: sharif hamza
model: ashley smith
for vogue russia december issue via jeremy dante
the last man
*gasp!
feast on the lush labors of LA visual artist greko sklavounos.
the location of lush greens accompany the lone figure quite
well, don't you think? the pristine styling brings a mystical
edge to the images. despite this harsh confrontation with nature,
the figure remains exceptionally mint.
photo: greko sklavounos
model: colin greenall
styling: nova dando
styling assistant: jo gilmour
view more here
jailbird
junya watanabe, spring 2011 ready to wear
something exceptionally beetlejuice-like in this playful combination
of stripes - keeping color to the accessories, to the wigs, to
the hats. i'm especially drawn to the white-out makeup direction
for the model's faces, keeping it cartoonie, creepy, + anonymous.
via destroyx.com
something exceptionally beetlejuice-like in this playful combination
of stripes - keeping color to the accessories, to the wigs, to
the hats. i'm especially drawn to the white-out makeup direction
for the model's faces, keeping it cartoonie, creepy, + anonymous.
via destroyx.com
francois verkerk might be
my favorite male model
check out frankie + more babes from the
paul smith spring 2011 menswear collection
check out frankie + more babes from the
paul smith spring 2011 menswear collection
20101124
marc jacobs is a dirty rat
20101123
20101122
"i'm so glad you say art -- i can't say that word out loud
because that's up to others to decide. i would never say i'm an
artist. i hate when you ask people what they do, + they say,
'i'm an artist.' i believe i'll be the judge of that. saying
somebody's work is art is a good review. but what was the question?"
john waters
photo by dudley reed
sea anemone
o o o
there are no subtitles + i don't know any swedish. i like not knowing. i like maintaining this specific image of fever ray as this mythological foreign vessel that wraps herself in elaborate costumes + speaks a language that i don't understand.
20101121
dot gentleman stripe
on my way out the door for an old fashioned friendsgiving.
i am grateful for brooklyn bike adventure club because it brought
me to some really swell company.
20101120
sounds to sleep to
alien yes bears in space, the remix
my buddies twin shadow boogie-woogied the music hall
last night. my main motivation for shimming sideways
to the pretty pony boulevard was team tshades, + they were
supporting trio bear in heaven + it sounded like this:
it took me a minute to place jon philpot's voice, but then
the reference haunted the remainder of the evening:
jon anderson of yes. john + i decided that bear in heaven
should change their name to "alien yes bears in space, the remix."
appropriate, yes? beyond the proggy connection, bear in heaven
was rad. this was their last night on tour, but do yourself
a solid + munch on the aural cuisine that is bear in heaven.
do it now:
last night. my main motivation for shimming sideways
to the pretty pony boulevard was team tshades, + they were
supporting trio bear in heaven + it sounded like this:
it took me a minute to place jon philpot's voice, but then
the reference haunted the remainder of the evening:
jon anderson of yes. john + i decided that bear in heaven
should change their name to "alien yes bears in space, the remix."
appropriate, yes? beyond the proggy connection, bear in heaven
was rad. this was their last night on tour, but do yourself
a solid + munch on the aural cuisine that is bear in heaven.
do it now:
20101117
water spots
self-portrait
20101116
if i was a cloisters garden gnome
rosebrains
i'm pretty sure that i have bubbles for brains, but
there might be roses in there, somewhere? i say
less hair, more ornaments. more flowers, more
feathers more netting, more, more, more.
chicletes com guaraná pre-fall 2011
by márcio rodrigues for the brazilian label
styling by mariana sucupira
via yourmothershouldknow
wunderkind spring 2011 ready to wear collection
wolfgang joop goes to candyland covered in cherries + i'm feasting on
the fruits of his labor. i'm cheering for the striped tights + platform lace-ups,
a victorian dollhouse via boxing gym trend that i'm drinking the kool-aid for.
nothing beats a sharp-dressed ginger hunk, either. santa, do you hear me?
all photos from style.com
the fruits of his labor. i'm cheering for the striped tights + platform lace-ups,
a victorian dollhouse via boxing gym trend that i'm drinking the kool-aid for.
nothing beats a sharp-dressed ginger hunk, either. santa, do you hear me?
all photos from style.com
20101115
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