i'm wondering who is dressing them milky manes these days? in her new video for "dancehall queen," robyn sports some high-voltage, high-waisted stud-licks that look seriously similar to rihanna's "rude boy" catsuit. overall, this seems to be a homage, musically + aesthetically, to rihanna's booty department.
observe:
robyn, "dancehall queen," (released milliminutes ago) *pay close attention to robyn's hips at the 0:48 second mark.
rihanna, "rude boy" (released earlier this year) *the meowsuit in question first appears at the 1:20 mark.
i've been helping an east coast writer document the music appropriation genres (swing, lounge, jump blues, rockabilly, roots shoot-offs) of the 90s. my job entails transcribing the interviews about songbirds like ingrid lucia:
i'm wondering why appropriation is forgiven in the fashion industry, but we're less forgiving of our musicians. we ask for an awful lot of originality from our musicians. there is something inherently theatrical about fashion in which the visual produces a direct impression, but still in a referential passivity in which the source doesn't have to take full responsibility. but there is something about including music, including the human voice, where posing is a poor-man's scam.
i've always been interested in the stark intricacy of royal couture. with edgy textures in garment shades, lipsticks, + drapery, hamza shoots smith like a pirate queen styled by a circus diva.
photo: sharif hamza model: ashley smith for vogue russia december issue via jeremy dante
*gasp! feast on the lush labors of LA visual artist greko sklavounos. the location of lush greens accompany the lone figure quite well, don't you think? the pristine styling brings a mystical edge to the images. despite this harsh confrontation with nature, the figure remains exceptionally mint.
photo: greko sklavounos model: colin greenall styling: nova dando styling assistant: jo gilmour
something exceptionally beetlejuice-like in this playful combination of stripes - keeping color to the accessories, to the wigs, to the hats. i'm especially drawn to the white-out makeup direction for the model's faces, keeping it cartoonie, creepy, + anonymous.
mj collaborates with stubbs + wootoon to make stinky rat slippers. yes, "stinky rat" is the official logo. how filthy. i love it. anyone got $500 to spare?
"i'm so glad you say art -- i can't say that word out loud because that's up to others to decide. i would never say i'm an artist. i hate when you ask people what they do, + they say, 'i'm an artist.' i believe i'll be the judge of that. saying somebody's work is art is a good review. but what was the question?"
i have to believe. it is the only medium that still does this to me. in some unique way, it remains mysterious + mystically wonderful in a fashion wildly unknown to my merely mortal faculties.
there are no subtitles + i don't know any swedish. i like not knowing. i like maintaining this specific image of fever ray as this mythological foreign vessel that wraps herself in elaborate costumes + speaks a language that i don't understand.
on my way out the door for an old fashioned friendsgiving. i am grateful for brooklyn bike adventure club because it brought me to some really swell company.
some slight lullaby i've been working on via baritone ukulele + hamburglar speaker-speak. it is muy-petite, so put your ears right up to your speakers to hear my whispers.
my buddies twin shadow boogie-woogied the music hall last night. my main motivation for shimming sideways to the pretty pony boulevard was team tshades, + they were supporting trio bear in heaven + it sounded like this:
it took me a minute to place jon philpot's voice, but then the reference haunted the remainder of the evening: jon anderson of yes. john + i decided that bear in heaven should change their name to "alien yes bears in space, the remix." appropriate, yes? beyond the proggy connection, bear in heaven was rad. this was their last night on tour, but do yourself a solid + munch on the aural cuisine that is bear in heaven.
i'm pretty sure that i have bubbles for brains, but there might be roses in there, somewhere? i say less hair, more ornaments. more flowers, more feathers more netting, more, more, more.
chicletes com guaraná pre-fall 2011 by márcio rodrigues for the brazilian label styling by mariana sucupira
wolfgang joop goes to candyland covered in cherries + i'm feasting on the fruits of his labor. i'm cheering for the striped tights + platform lace-ups, a victorian dollhouse via boxing gym trend that i'm drinking the kool-aid for. nothing beats a sharp-dressed ginger hunk, either. santa, do you hear me?